The Shoop logo feels as warm and inviting as Shoop’s signature dish. Designed by Madrid-based graphic designer Lizzie Frost.

Artists usually think of their work as the making of an image; graphic designers think of design as communication through image and type

Album covers get all the praise, but the humble band logo has never quite got its full dues. Until now.

The Tony’s Chocolonely logo identifies one of the few chocolate brands with the mission of being 100% slave free.

A growing compilation of video game logos.

Logo Rewind is a book by Darren Leader that focuses on the visual language of Medieval design.

The design and development of the Guinness harp logo is closely linked with the history of the brand’s packaging and advertising.

The Flipper Taps logo takes the form of a hero F symbol. The design is used across stationery, packaging, and engraved on the product.

In March of 1966, Paul Rand finished his Ford logo presentation book. It was a proposal to Ford Motor Company for a new house mark.

ABVA documents, stores, studies, and popularises examples of different visual arts from Bulgaria.

Founded in 1944, Graphis archives and promotes talent in design, photography, art, and advertising.

Located on the harbour-front in Stornoway, Scotland, Harbour Kitchen prides itself in its fresh selection of seafood.

Founded by Gabriel Benderski, La Patria is an archive of graphic design from Uruguay.

Made by James is the logo book by designer James Martin. A personal guide to logo design aimed at those just getting started.

Aphex Twin, the alias of music producer Richard D James, is identified by his monogram logo designed by graphic designer Paul Nicholson.

It’s still unclear whether the Spirit of Ecstasy was truly based on Eleanor Thornton, but the myth of the Rolls-Royce logo lives on.

Man and His Mark was published in February 1970 by Les Mason Graphic Design, Melbourne.

Some fun examples of wordplay in Ji Lee’s personal project, Word as Image.

The life work of professor Yukio Ota is an entire language of symbols known as LoCoS that he dreams could be the lingua franca of the 21st century.

This logo was part of a personal project to reimagine existing brands through their logos and packaging.