Unearthing Europe’s forgotten interwar letterforms.

What do all the numbers in our clamp() do?

An interview with Dinamo’s Johannes Breyer on the custom Arial “revival” typeface.

What’s a good maximum line length for your coding standard?

Evaluating LLM predictions and comparing it to community’s predictions.

Logotype, illustration, digital and posters for e-commerce platform Big Cartel designed by How&How.

Accessibility and boldness are the key focus in Olivia King’s customised typeface for the publishing giant.

Optical corrections in architecture and typography.

Monotype's report: the interplay between humans and machines in typography and graphic design.

Retail and custom typefaces. Life’s a thrill, fonts are chill.

GT Standard is a contemporary response to the modernist pursuit of standardization.

“Practice” is a font made in collaboration with design studio Other Means and type designer Kia Tasbihgou.

Everything comes down to a foundational understanding of the anatomy of the letterform and its essential component.

One of Latin America’s biggest production companies realised it was time for a change.

Using design to empower children by making reading easier, improving comprehension, and helping dyslexics.

It’s been dragged, mocked, and meme-ified since the moment it became a household name—and still, it refuses to die.

The first typeface created for hand knitting.

At this Amsterdam-based foundry, things go from readable weights to “decorative extremes” with imaginative methods of integrating motion.

How type designer and lettering artist Kristyan Sarkis is celebrating the rich diversity and history of Arabic script.

A searchable archive of typographic design, indexed by typeface, format, and topic.