Habit-forming features on social media apps are sparking class-action lawsuits. But does moral responsibility lie with product designers?

We delve into the history of the contentious font, uncovering the story of its creation and early uses.

AI-powered text-to-image tools are presenting a moral quandary in terms of creative ethics.

After helming the 2020 Liberty rebrand, Harry Pearce returns to the store’s main logotype.

Tokyo design studio &Form developed a font that varies dramatically in thickness and motion behaviour with type designer Toshi Omagari.

Graphic designer and writer Elizabeth Goodspeed looks at the current trends in designing for the commercial world.

The secrets behind designing a great fictional brand for TV and film.

In an all encompassing visual and verbal rebrand of the job searching site, Koto aims to enhance the company’s dedication to workplace transparency.

Porto Rocha pays homage to the institution debuting indie titles like Get Out and Little Miss Sunshine with a 16:9-aspect-ratio logo.

From code and generative typography to type as a political tool, how and why we create type will be driving what’s coming next.

We speak to the design team about how the biggest challenges came typographically.

Jens Müller gives us a lesson in logo history, unpacking five favourites spanning two centuries, from the niche to the revered.

33 Letters for Ukraine is an ongoing initiative to express solidarity with Ukraine.

Also featuring two custom typefaces from Matt Willey, the project is based on an official 83-page glossary put together by the FBI.

Curator Amr Hamid discusses how his rare archive of cassette covers traces the evolution of Egyptian design, and preserves it.

In conversation with Abdo Mohamad of Boharat Cairo, we find out how the Egyptian capital is full of typographic inspiration.

Google’s new design system update Material Design 3 puts control in users’ hands, allowing them to design their experiences.

From gooey blobs in 3D art to posters and album covers drenched in intense, eye-searing colours, some trends had a big 2021.

12 new posters for The French Dispatch feature each of its characters within the wonderful world of print journalism.

Since launching his foundry in 2019, Mark has released eight new typefaces including Betatron – his latest – which is inspired by sci-fi films.