One of Latin America’s biggest production companies realised it was time for a change.

Brand identity by Pentagram for a publishing house founded by the photographer Jack Davison.

A designer's observations and experience with using AI-generated assets in branding work.

Busy people in important organizations waste a lot of time naming things. It could be that once a name is good enough, you’re done.

Beautiful work from RETINAA, who has woven the nation’s landscapes into the fabric of the document, using 3D-modeled reliefs and other gems.

A new visual and verbal identity for Eventbrite's global events marketplace, by BUCK.

A brand that thrives on the tension between structuring order and explosive freedom.

New visual identity explores its historical significance, evolution, and strategies for maintaining its iconic status in the modern era.

How Google modernized YouTube’s iconic red hue with accessibility and motion design in mind.

Putting the world’s largest archipelago on the map.

Duolingo’s company culture, principles, and approach to building extraordinary things.

A series of surreal and humorous animated shorts to highlight the importance of creating work that simply can’t be ignored.

A case study about making a value brand more valuable.

Beautiful work from Studio Dumbar and ABC Dinamo in partnership with OpenAI's in-house team to refresh their visual identity.

Design systems play a crucial role in today’s digital landscape. But there’s another tool that deserves equal attention: the digital playbook.

A creeping shift has redefined how brands maintain identity over recent years, chasing audiences as they jump between endless windows.

Activism in the face of the Grenfell Tower tragedy brings hope, change and opportunity for healing the community.

Designing America’s first emotionally powered homeownership company.

From icons to illustration, logos to language, this collection is the foundation for how Dropbox looks, feels, and sounds like Dropbox.

This year, we’ve seen countless posts about rebrands, but do we need to draw a bolder line when critiquing design work?